I started out as a stage hand at the age of sixteen and have been a professional sound engineer since not long after that.
I have been involved in building large
setups on major events as well as small scale club settings, which have often proven even more of a challenge.
Lately I have specialised in the sound reinforcement of acoustic and folk instruments.
The handling of
delicate ethno-instruments and their acoustic behaviour takes a lot of experience and patience, which seems to be a rarity amongst sound engineers who are mostly involved in
rock and pop music setups.
I also own my own PA system which can be used for small open air festivals or indoor concerts up to 300 people, including MACKIE speakers and a MIDAS desk.